CULTURES CONVERGE

The gleaming white church with famous mother-of-pearl alter, Sacred Heart in Beagle Bay is a remarkable marriage of German and Aboriginal culture. Completed in 1917, it reached international audiences appearing in the 2009 film Bran Nue Dae. While built in the Bavarian-gothic style, the church has an airy, light and uplifting feel, with a rich history in it’s stone and shell walls.

CHANGING ORDERS

French Trappist monks brought Christianity to Beagle Bay in 1890 after a disastrous attempt to found a mission at Disaster Bay. The Trappists were eventually replaced by Pallottine missionaries from Germany and the Sisters of St John of God from Ireland.

WARTIME INGENUITY

When World War I broke out in 1914, Germans in Australia’s north west were arrested and interned at Beagle Bay.

Cyclones, white ants and bush fires had destroyed previous wooden churches. Under house arrest, Father Bachmair pushed for a unique building approach using local materials, modelled on a photograph of a German country parish church.

NATURAL ELEMENTS

An estimated 90,000 clay bricks were handmade and fired on-site, with mortar made from the ashes of burnt shells.

The roof was originally mangrove wood and brush and the ceiling was decorated with shells to represent stars. This was destroyed by termites in the 1920s and was replaced with flattened kerosene tins and later with corrugated iron.

HISTORY AND COMMUNITY

While attracting tourists for its shimmering vernacular style, it remains a working church, and is well-known in the Kimberley as a place where children of the Stolen Generations came to live after they were taken from their families across the region.

Once the building was completed in 1917, a team of Aboriginal women worked under the direction of a German priest to decorate the interior with mother of pearl, cowrie, volute and olive snail shells. They adorn the Stations of the Cross on the churches walls and surrounding the windows, and are also inlaid into the floor.

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The "Mother of Pearl Church" was consecrated on August 15, 1918.

CULTURES CONVERGE

The gleaming white church with famous mother-of-pearl alter, Sacred Heart in Beagle Bay is a remarkable marriage of German and Aboriginal culture. Completed in 1917, it reached international audiences appearing in the 2009 film Bran Nue Dae. While built in the Bavarian-gothic style, the church has an airy, light and uplifting feel, with a rich history in it’s stone and shell walls.

CHANGING ORDERS

French Trappist monks brought Christianity to Beagle Bay in 1890 after a disastrous attempt to found a mission at Disaster Bay. The Trappists were eventually replaced by Pallottine missionaries from Germany and the Sisters of St John of God from Ireland.

WARTIME INGENUITY

When World War I broke out in 1914, Germans in Australia’s north west were arrested and interned at Beagle Bay.

Cyclones, white ants and bush fires had destroyed previous wooden churches. Under house arrest, Father Bachmair pushed for a unique building approach using local materials, modelled on a photograph of a German country parish church.

NATURAL ELEMENTS

An estimated 90,000 clay bricks were handmade and fired on-site, with mortar made from the ashes of burnt shells.

The roof was originally mangrove wood and brush and the ceiling was decorated with shells to represent stars. This was destroyed by termites in the 1920s and was replaced with flattened kerosene tins and later with corrugated iron.

HISTORY AND COMMUNITY

While attracting tourists for its shimmering vernacular style, it remains a working church, and is well-known in the Kimberley as a place where children of the Stolen Generations came to live after they were taken from their families across the region.

Once the building was completed in 1917, a team of Aboriginal women worked under the direction of a German priest to decorate the interior with mother of pearl, cowrie, volute and olive snail shells. They adorn the Stations of the Cross on the churches walls and surrounding the windows, and are also inlaid into the floor.

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The "Mother of Pearl Church" was consecrated on August 15, 1918.
PROJECT TIMELINE
2000

BELL TOWER AND SPIRE REPAIR

Rebuild the tower after cyclone caused its collapse

PROJECT TIMELINE
2010

ALTER CONSERVATION

Resetting missing shells including work with mother of pearl.

PROJECT TIMELINE
2014

NEW CROSS AND LIGHTNING CONDUCTOR

Replacing the rooftop cross along with a lightening rod system to reduce the risk of further damage.

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CULTURES CONVERGE

The gleaming white church with famous mother-of-pearl alter, Sacred Heart in Beagle Bay is a remarkable marriage of German and Aboriginal culture. Completed in 1917, it reached international audiences appearing in the 2009 film Bran Nue Dae. While built in the Bavarian-gothic style, the church has an airy, light and uplifting feel, with a rich history in it’s stone and shell walls.

CHANGING ORDERS

French Trappist monks brought Christianity to Beagle Bay in 1890 after a disastrous attempt to found a mission at Disaster Bay. The Trappists were eventually replaced by Pallottine missionaries from Germany and the Sisters of St John of God from Ireland.

WARTIME INGENUITY

When World War I broke out in 1914, Germans in Australia’s north west were arrested and interned at Beagle Bay.

Cyclones, white ants and bush fires had destroyed previous wooden churches. Under house arrest, Father Bachmair pushed for a unique building approach using local materials, modelled on a photograph of a German country parish church.

NATURAL ELEMENTS

An estimated 90,000 clay bricks were handmade and fired on-site, with mortar made from the ashes of burnt shells.

The roof was originally mangrove wood and brush and the ceiling was decorated with shells to represent stars. This was destroyed by termites in the 1920s and was replaced with flattened kerosene tins and later with corrugated iron.

HISTORY AND COMMUNITY

While attracting tourists for its shimmering vernacular style, it remains a working church, and is well-known in the Kimberley as a place where children of the Stolen Generations came to live after they were taken from their families across the region.

Once the building was completed in 1917, a team of Aboriginal women worked under the direction of a German priest to decorate the interior with mother of pearl, cowrie, volute and olive snail shells. They adorn the Stations of the Cross on the churches walls and surrounding the windows, and are also inlaid into the floor.

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Restoration and conservation

After weathering 82 years of cyclones, the 12-metre bell tower and spire collapsed in September 2000. Colgan reinstated ornamental plasterwork and render-work to the bell tower and spire, rerunning all decorative mouldings. We rebuilt the bell cot and reset the original bell brought by the Trappist monks, also remaking and installing the missing ball finials.
The 1917-18 original altar work was completed by Father Droste, Sister Raymond and a number of skilled Aboriginal people including Joseph Neebery (Niada) and Joseph Gregory. Colgan carried out conservation works to the main and side altars including carefully hand-painting imagery and resetting missing shells. Shells and mother of pearl were collected by Dot Colgan, Gina Wade and Martin Colgan.
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Further works included stablising render to walls internally and externally, and mitigating troublesome rising damp through damp roof injectioning and air drains around the building.

The 14 Stations of the Cross, added after World War II, were painted on aluminium sheets by a German nun who witnessed the bombing of Hitler's Third Reich.
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Both a place of worship and a work of art, the church blends Christian symbols, European mosaic techniques, and "saltwater people" totems: Pearl shell inlays of Christian and Nyul Nyul, Bardi and Nimanborr tribal symbols are incorporated into the altar's tiled floor.
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In 2014 when the church was struck with lightning, Colgan returned to replacing the cross on the spire while also installing a lightning conductor to reduce the chances of future similar damage.

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THE SPIRIT OF COMMUNITY

Restoration works were largely made possible through generous community contributions and grants from the State Heritage Fund.

“If you were looking for an emblem, an icon that represented Beagle Bay, you can’t go past the church. People remember that this church didn’t just happen. People built it and their hearts and their love went into it. There’s nothing like it in Australia, and I think it means a lot to the people living there, and I know the enthusiasm that is engendered at the moment for this 100th anniversary is good testimony to that.”
— Bishop of Broome

AWARDS & RECOGNITON

2003

Winner of MBA Excellence Awards - Best Restoration

2011

Winner of Western Australian Heritage Awards - Outstanding Non-Residential Conservation